Pat Terry

Nov 30, 2018
Jan 01, 2010
Jan 01, 1984
Jan 01, 1983
Jan 01, 1982
Jan 01, 1980
Jan 01, 1980
Jan 01, 1979
Jan 01, 1977
Jan 01, 1976
Jan 01, 1975
Jan 01, 1974

Pat Terry is listed in the credits for the following albums:

Year Artist Album Role
1974 Dove Dove II Songwriter
1975 Mark Heard Mark Heard Songwriter
1976 Various Artists Jubilation Too
1976 Pat Terry Songs of the South Songwriter, Acoustic Guitars, Keyboards, Vocals
1976 Evie Gentle Moments Songwriter
1978 BJ Thomas Happy Man Songwriter
1978 Mark Heard On Turning to Dust Songwriter
1980 The Hope Which Side Are You On? Songwriter
1982 JoySong The Secret of Love Songwriter
1982 Mylon LeFevre Brand New Start Songwriter
1983 Pat Terry Film at Eleven Producer, Arranger, Songwriter, Electric and Acoustic Guitars, Korg Polysix Synthesizer, Piano, Harmonica, Handclaps, Vocals
1984 Pat Terry The Silence Producer, Arranger, Songwriter, Guitars, Synthesizers, Harmonica, Vocals
1984 Mark Heard Ashes and Light Songwriter, Electric and Acoustic Guitars, Synthesizer
1985 Mark Heard Greatest Hits Of Mark Heard Songwriter, Acoustic Guitar
1985 Mark Heard Acoustic Synthesizer
1993 Kaiser / Mansfield Slow Burn Songwriter
1993 Mark Heard Reflections of a Former Life Songwriter, Acoustic Guitar
1996 Paul Q-Pek Touch the Ground Songwriter
2000 Mark Heard Greatest Hits Songwriter, Acoustic Guitar

Pat Terry

Singer / Songwriter Pat Terry was born in 1952, and grew up in the groundbreaking days of American rock 'n roll. His earliest musical memories revolve around a jukebox that played in the restaurant owned and operated by his father. The music of Johnny Cash, Elvis Presley, and Johnny Horton became the soundtrack for summers spent working in the family business. It wasn't until the Beatles invaded America, however, that Terry picked up a guitar and began making music on his own. At age twelve, he formed a band that remained together throughout his high school years.

In 1970, those early influences began to surface when Terry began songwriting. As a pioneer of Contemporary Christian music, he was part of the first wave of artists to be signed to the then fledgling Myrrh Records label. Between 1974 and 1980 he wrote and recorded seven albums with his own Pat Terry Group, and toured the country playing a unique blend of inspirational country, pop, and blues, that earned him a loyal following of listeners. During that time his songs appeared on albums of a diverse list of artists that included pop singer B.J. Thomas, country great Ray Price, gospel songstress Evie Tornquist, and cowboy hero Roy Rogers. Terry's songs, “Home Where I Belong,” and “I Can't Wait” became standards in the Contemporary Christian Music field. After disbanding his group in 1980, Terry recorded three critically acclaimed solo albums. Produced by his friend and fellow Georgian, Mark Heard, the recordings featured a more rock oriented sound, harkening back to Terry's earlier influences. His heartfelt, confessional lyrics wedded to this more aggressive sound, stirred controversy in more conservative circles, but it inspired a new generation of listeners who responded to the honesty and passion they heard. Once again he cut a more contemporary groove into the sound of Christian music.

In 1985, Terry decided to leave the rigors of the road and make songwriting his primary pursuit. The new tradition of country music being recorded by artists such as Steve Earle, Ricky Skaggs, and Emmylou Harris inspired him and convinced him to become better acquainted with Nashville. He began making regular trips to Music City in 1986. As the co-writer of Foster and Lloyd's “Lie to Yourself,” he enjoyed his first country music songwriting success. He then co-authored with Travis Tritt, the singer's first number on country hit, “Help Me Hold On.”

In 1992, Terry signed exclusively with Murrah Music Corporation's ASCAP affiliate, Castel Street Music, Inc. That professional association yielded a number of songs recorded by various artists including Confederate Railroad, The Oak Ridge Boys, and Kenny Chesney. During this period Terry also enjoyed the success of two more number one co-written songs, Tanya Tucker's “It's a Little Too Late,” and Sammy Kershaw's “National Working Woman's Holiday.” More recently Terry's songs have appeared on albums by country hit makers John Anderson and Tracy Byrd. In 2005, radio in both country and gospel formats played Terry's beautiful “Someplace Green,” as recorded by The Oak Ridge Boys.

Pat Terry Bio. (n.d.). Retrieved February 19, 2013, from Pat Terry website:

Created by: Yianni D on 26-July-2010 - Last Edited by siremidor on 03-July-2020